According to The Gender Pint Gap: Revisited, while 50% of UK men drink beer on a weekly basis, just 14% of women do so now, which is a three percentage points fall from research carried out by Dea Latis in 2018.However, the question has to be asked whether this is something that really matters. Rather than being the result of discrimination, could it simply stem from differing tastes and preferences? It’s now generally accepted that women are entitled to equal treatment and esteem in society as compared with men, but that does not mean that one should simply be a mirror image of the other.
In my professional capacity, I used to audit the annual accounts of a local flower arranging society. As far as I could see, 100% of the active members were women. Likewise, the audience at a Girls Aloud concert would be predominantly female. On the other hand, the people interested in trainspotting and World of Warcraft are overwhelmingly male.
A society in which it was viewed as a desirable objective that every single activity should see equal participation from men and women would be a very uncomfortable and stifling one. Especially when it comes to leisure activities, differences in involvement simply reflect different proclivities, not any lack of opportunity.
And, as the report acknowledges, two of the reasons women are deterred from drinking beer are that it is perceived as fattening, and that it makes you pee. Maybe they are right on that, but they are factors that men do not see as being so important.
The report also found that beer advertising was a key factor deterring women from drinking it. However, as any advertising professional will tell you, the main role of advertising, especially of regularly-bought products, is to validate the decisions of existing purchasers, not to win conquest sales. Decisions on what to drink mainly come from social cues and peer group influences. The targeting of beer marketing at women also has a rather dismal track record of being cringe-inducingly patronising.
The beer sector supposedly “fails to communicate its huge range of aromas, colours and flavours in consumer friendly language”, thus making lager the default option. But, when pale lager accounts for around three-quarters of the market, that is simply a fact of life, as it is in every other major beer-drinking country.
And much of that huge range exists only in obscure niche products. The selection on the bar of the typical pub consists of various forms of lager, bitter, stout and probably now IPA, and you have to make your choice from one of those. Using terms such “grapefruit, caramel, mango, nutty, marmalade and chocolate” is more likely to come across as pretentious and offputting than informative.
A comparison is drawn with the wine market, which is said to have “navigated this education piece really successfully”. But the pretentiousness and obscurantism in wine is off the scale compared with beer, and most people who regularly buy it still find it baffling to some degree. They tend to stick with categories they are familiar with, and only venture slightly off the beaten track on to similar products. Choice is determined by trial and error, other people’s recommendations, or what is being promoted at the end of the supermarket aisle. There is also, compared with beer, far less brand identity and loyalty in wine, making it a very different market.
It’s worth noting that this report was produced by the same Annabel Smith who asserted that “Fresh Ale”, a form of keg beer, could be the saviour of cask. So maybe we need to treat her conclusions with a healthy degree of scepticism.