Monday, 26 August 2019

Beauty is in the eye of the beholder

Last week, Boak & Bailey defended people’s right to make subjective judgments about beer without having their sincerity questioned. It was a post that raised a number of interesting issues. But one question that arose from it was whether it is possible to define in any objective sense which beers are good and which are not, something that prompted some debate on Twitter. One person thought it was in general pretty obvious, but I’m not so sure.

For a start, beer isn’t solely or even mainly a functional product. We don’t judge it in terms of the maximum alcohol content at the lowest production cost, and indeed beers that score highly on those criteria tend in general to be judged pretty poorly. Beer is, broadly speaking , evaluated in generally subjective terms.

For draught products, the influence of cellarmanship needs to be discounted. This applies particularly to cask, but to sme extent to keg beers as well. Even the finest beer in the world will be pretty unpleasant if it is served flat, stale and warm, but some people who comment on beer seem to have difficulty in distinguishing between how well it is kept and its intrinsic qualities.

In business terms, quality is generally defined as consistent adherence to specification. It’s not about how good a product is an absolute terms, but whether it achieves what it’s supposed to do. If you don’t think much of it, blame the specification. In brewing, there are a range of production faults that will mar the character of the finished product, such as diacetyl, oxidation, lack of clarity (in intentionally clear beers) and obvious off-flavours. These will be obvious to anyone with much knowledge about beer, and should manifest themselves in the taste as perceived by the drinker, although some people insist on finding redeeming features in beers that to most are blatantly off.

However, I’m not aware of any regularly-produced beers that consistently manifest such obvious brewing faults. If they do, there’s something wrong with them. But, looking at it in more fundamental terms, what makes a poor beer as opposed to a good one?

A rough correlation is often drawn between the strength of a beer, and the cost of the ingredients, and its quality, but it doesn’t necessarily always work that way. After all, Harvey’s Sussex Best, which is what prompted this discussion in the first place, is a beer of relatively modest strength that retails in pubs for normal prices; it isn’t some eyewateringly expensive, mega-strong show pony.

The mere fact that something is a mass-produced, “industrial” beer doesn’t automatically make it a bad product. It is made to satisfy a different demand from a salted caramel quadruple IPA, and needs to be judged in those terms. In absolute terms, a Rolls-Royce or Ferrari is no doubt a better car than a Toyota Corolla, but it also costs hugely more to make, and possibly doesn’t offer anything like as good value for money. For most drivers, the Corolla will meet their requirements.

There has long been a tendency in some quarters to allow your opinion of the brewer to sway your judgment of a beer – they may be plucky independents challenging the industry giants, or standing up for fashionable causes. There may be entirely valid reasons for this, but it’s always a mistake to mix up the worthiness of the brewer with the intrinsic quality of the beer. There should be no “marks for effort” in assessing beer. Nor should a beer be dismissed out of hand purely because it’s popular, or lauded for obscurity.

Much of the above may suggest that there are really no absolute standards in judging beer, and that everything is entirely subjective and a matter of personal preference. Clearly this isn’t the case where beers demonstrate obvious brewing faults, even if some people are willing to give them the benefit of the doubt. But, if you assemble people with some knowledge of beer and brewing, they are likely to reach a broad consensus on how good or otherwise a beer is.

They will look at the ingredients used, the malt and hops, and whether inferior adjuncts have been used to reduce costs. They will consider the production process, such as the nature of the fermenting vessels and how long a bottom-fermenting beer has been lagered. And they will assess the overall flavour profile – is it bland, or harsh and one-dimensional, or is it complex and well-rounded ?

Yes, of course it is possible in broad terms to say that some beers are better than others. But, as with literature or music, it’s an art, not a science, and personal taste plays a large part. It’s by no means as obvious as some seem to imagine. Beers also need to be viewed in the context of their market segment – few would dispute that Pilsner Urquell is a better beer than Carling, but Carling is a well-made, consistent product that satisfies its customers; it’s not in any sense a “poor beer”.

And ignorant blanket statements such as “all keg is piss” or “macro lagers are crap” really say much more about the people making them than the product under discussion.

10 comments:

  1. I would highlight and agree entirely with the sentiment expressed at the end in terms of beer needing to be viewed in terms of it's market segment. There is often much derision of certain products, but comparing them unfavourably quite ludicrously with products in another sector of the market,in a quite unfair manner. This is also seen in other sectors of the drinks industry, and also in different pub groupings. I quite separately do a spot of low level pub judging for competitions. However I always call in the nearby opposition to check factors such as value for money,simply because you need to compare like for like in an area,depending on that area. The same applies to beers,and it's no use deriding a competent mass market reasonably priced ale,versus a top of the quality range niche one at a high price,though some seem to attempt to do this.

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  2. I liken the analogy to bread - one one hand you have inoffensive mass-produced chorleywood steam baked white, brown and wholemeal (John Smiths, Carling, Stella etc), in the middle, a more flavoured loaf baked in real ovens to a traditional non-chorleywood recipe in a smaller but still fairly industrial bakery (Sussex Best), then at the other end of the scale, a handmade small batch sourdough produced in a small industrial unit (salted caramel DIPA 12%ABV et al). All produced to suit particular market segments that will of course overlap at times, and different price points. None of the bread is particularly bad, good, or better: just different.

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  3. You really are over analysing this. Tasting beer (or wine or whisky) is a subjective experience. There is one simple question to ask: do I enjoy drinking beer A more than beer B? If the answer is yes then beer A is the better beer for me. Not a good criteria for awarding gold stars.

    For an analogy: I think that Bach wrote the worlds finest music but my wife argues that Beethoven is better. Neither of us right. Classic FM would judge the quality of a composer on how many people buy his records. Applying that criteria to beer and Carlin is the clear winner.

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  4. I volunteer to be the authority that decides what's decent and what's not. Hat in the ring.

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  5. I think there are too many best bitters between 4% -4.5% using a citra hop. They are generally very similar in aroma and flavour. They are all like JHB. I am guilty as one of mine is 4.5% but it is traditionally hopped using a mix of fuggles and East Kent. There are quite a few landlords who will not serve any bitter over 5% regardless of taste. Mind you there are quite a few who don't drink beer and therefore serve real ale well beyond its vinegar point. Keeping beer and having clean pipes with no backflow growth in them is a fine art and sadly too many landlords do not realise that real ales are alive and dynamic and will and do change depending on temperature and aeration. It's subjective but we all know a stinker when we taste one.

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  6. Carling might be consistent, but arguing that it's "well made" and "not in any sense a poor beer" is trickier. If you think of it as an example of a pilsener lager then consider the qualities that should define that style of beer (no adjuncts, good hop flavour, long lagering time - like PU as you mention), then in that sense I think it is a poor beer, and not well made.
    AP.

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    1. Yes, but that's really the "Touota Corolla" argument. Carling doesn't set out to be a classic pilsner in the first place, and if you follow that to its logical conclusion virtually every mass-market beer (or any other consumer product) has to be dismissed as poor.

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  7. The John Smiths Cask a number of us enjoyed in Preston (a rare JS cask outlet) was more enjoyable than my recent Harvey's Sussex in many GBG pubs.

    Someone will no doubt tell me that Harvey's uses more expensive ingredients (does it?) and is produced by artisans in a heritage brewery so it must be better than nasty cheap John's.

    Judge by the pint not the hype.

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    1. Donnington is certainly produced by artisans in a heritage brewery ;-)

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  8. Beer is subjective and that is the beauty of it...I regularly go out with a variety of drinkers who will enjoy their beers be it bog standard lager, keg mild, keg bitter, craft keg lager, cask ale, cider or Guinness! It's always a good discussion point...

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